Who are the Kalaushins?
The Kalaushins are a family of Khoper, later Kuban, Cossacks, documented since 1815. Their progenitor was the Khoper Cossack Trofim Pakhomovich (b. c. 1737). The family lived in the stanitsas of Batalpashinskaya and Labinskaya, served in the Khoper regiments and the Emperor’s Convoy, and was known for its saddlery: Fedot Alekseyevich is named in the 1915 List of Purveyors to the Imperial Court. The 20th century gave the family the Pushkin scholar M.M. Kalaushin and the artist B.M. Kalaushin. [◆ S007, household no. 321; ◈ S108; ◈ S097, p. 143, n. 24; ◈ S150; ◈ S204, “Kalaushin B.M.”]
More in the chapter “Vyacheslav’s Line” →
Where does the name Kalaushin come from, and how is it pronounced?
The stress falls on the u: Kalaúshin (ka-la-OO-shin), Kalaúshina; this is how the family says it. The name is rare and absent from the dictionaries of surnames we consulted, and the records also spell it “Koloushin”, “Kaloushin”, “Kolaushin”. △ Most likely it began as a nickname from a dialect word with the stem kalaush-/koloush-: kalaush, a travelling bag, or kalaushka, an earflap hat. The Kalaus River is possible but weaker; kalauz, ‘guide’, and a link with the name Goloushin are unlikely. [◇ S003; ◈ S188, “Kalaushin”; ◈ S148, 2014 data; ◆ S053, App. 74, pp. 231–232; ◈ S198, no. 12, pp. 336–337; ◈ S190, s.v. “kalauz”; ◈ S116, pp. 188–201]
More in the chapter “The Name” →
What is “Kalaus steel”?
It is the family’s own name for the steel of the Kalaushin masters. As relatives tell it, Matvey Alekseyevich obtained Damascus steel through Suleymanov, father of Lyubov Geychenko, re-tempered it himself, and kinzhals “of Kalaus steel” were very highly prized in the Caucasus. △ Most likely it means kalaushinskaya, “the Kalaushins’ steel”: in the Caucasus a blade re-tempered by a well-known master was named after him — “Bazalay steel”, “Chilli buolat”. The word also echoes the Kalaus, where the Khoper Cossacks lived in 1777–1825. [◇ S001, No. 71; ◈ S091, PDF p. 58; ◆ S047, pt 1, ch. 2]
More in the chapter “The Workshop” →
Were the Kalaushins Purveyors to the Imperial Court?
Yes. The official List of Purveyors to the Imperial Court, compiled at the beginning of 1915, names among its 1,340 firms and persons “the saddle-maker Fedot Kalaushin of Batalpashinskaya stanitsa”. The family recalls that the Emperor granted the title after the saddle for the Shah of Persia, and Matvey Alekseyevich’s grave in Labinskaya bore the words “Purveyor to the Court of His Majesty”. The file on the title in RGIA (f. 472) will give the date. [◈ S108; ◇ S001, Nos. 71, 73]
More in the chapter “The Workshop” →
What is known about the saddle for the Shah of Persia?
◇ family testimony · confirmed by relatives
On the order of Nicholas II, the saddle for the Shah of Persia was made over two months in Fedot Alekseyevich’s workshop; the master took it to St Petersburg himself, and at a review on his last day of service the Emperor praised the work and congratulated him on the title of Purveyor to the Court. The account is recorded in the family history and confirmed by relatives. △ The most consistent dating is spring to early summer 1900, for Mozaffar ad-Din Shah’s visit of 4–10 (17–23) July 1900. [◇ S001, No. 73; ◇ S003; ◆ S036, no. 150, 10.06.1900, p. 3; ◆ S037, 4–10.07.1900]
More in the chapter “At Court” →
What was the parade commission for Archduke Franz Ferdinand?
◇ family testimony · confirmed by relatives
The family names a complete set of parade equipment for Archduke Franz Ferdinand — harness, saddles, sabres, kinzhals — as the last commission Matvey Alekseyevich carried out together with Fedot Alekseyevich. The family history records that it was a “political” commission, meant to help improve relations with Austria-Hungary; relatives confirm that it was completed. △ The work was finished no later than 1912. Papers on the gifts may be held in the Austrian State Archives (HHStA) and the Konopiště inventories. [◇ S001, No. 71; ◇ S003; ◈ S189, vol. 5; ◆ S055, 01.02.1902, p. 3]
More in the chapter “The Workshop” →
Did the Kalaushins serve in the Emperor’s Convoy?
Yes, for more than half a century. In 1853 Uryadnik Andrey Ivanovich became chamber Cossack to the Tsesarevna Maria Alexandrovna. Mikhail, Fedot and Aleksandr Alekseyevich served as uryadniks of His Majesty’s Own Convoy, Fedot in 1892–1900, at Gatchina under Alexander III and in St Petersburg under Nicholas II. On 31 May 1900, at the Alexander Palace, the Emperor handed the departing Convoy men their service badges in person. In 1911 Ivan Stepanovich came with the Kuban delegation to the Convoy’s centenary. [◈ S001, Nos. 6, 72–74, 77; ◈ S156, service record of 1854; ◆ S036, no. 150, 10.06.1900, p. 3; ◈ S132, pp. 104–105]
More in the chapter “At Court” →
What St George Crosses did the Kalaushins hold?
They held the Insignia of the Military Order, 4th class — the soldier’s St George Cross. The first went in 1859 to Uryadnik Stepan Alekseyevich, for actions on the Right Flank of the Caucasus Line, and to Cossack Stepan Kalaushin, for the fight at the Psebay fortification on 19 October. For the battle of Dayar on 9 June 1877, in the Russo-Turkish War, crosses went to Uryadnik Yegor and Prikazny Ilya. In the First World War the family’s officers received the Orders of St Anna, St Stanislaus and St Vladimir. [◆ S032, p. 7; ◆ S053, App. 65, p. 138; ◆ S053, App. 74, pp. 231–232; ◆ S045, 1915–1916]
More in the chapter “Service and Crosses” →
Who was Matvey Matveyevich Kalaushin?
A Pushkin scholar and museum-maker (1904–1968), son of a Labinskaya master saddler and a pupil of Boris Eikhenbaum. He worked for more than twenty years in the Literary Museum of Pushkin House, served as acting commandant of Pushkin House in the Siege winter, and on his recommendation Semyon Geychenko became director of the Pushkin Reserve in 1945. From 1953 to 1965 he was the first director of the All-Union Pushkin Museum; for his centenary its successor, the All-Russian Pushkin Museum, held the exhibition “Our First Director”. [◈ S104, n. 17; ◈ S107; ◈ S129; ◈ S100, p. 176; ◈ S150; ◈ S001, No. 127]
More in the chapter “Pushkin House” →
Who was the artist Boris Kalaushin?
Boris Matveyevich Kalaushin (1929–1999) was a book artist and painter, son of the Pushkin scholar M.M. Kalaushin. As a boy he made hand-written booklets in besieged Leningrad; at fifteen he drew the war-ruined Mikhailovskoye; later he illustrated more than a hundred children’s books. His painting was first shown in 1987; The Flower Fairy (1968) is in the Russian Museum, and some 120 originals are in nine Russian museums. With his sister he founded the Apollon society and published books on the Russian avant-garde. [◈ S204, “Kalaushin B.M.”; ◈ S163; ◈ S086, no. 83, p. 177; ◈ S165, GRM KP-180715; ◈ S115]
More in the chapter “The Artist” →
Where did the Kalaushins live?
The first known Kalaushins lived in Stavropolskaya stanitsa (now Stavropol). In 1826–1827 the family moved to Batalpashinskaya (now Cherkessk), and later Matvey Alekseyevich’s branch settled in Labinskaya (now Labinsk). Kalaushins also lived in Bekeshevskaya, Maykop, Vladikavkaz and Sukhum; the Convoy men served at Gatchina, St Petersburg and Tsarskoye Selo. In the 20th century part of the family moved to Leningrad, and émigrés ended up in Harbin, Serbia and France. [◆ S007, household no. 321; ◆ S009, nos. 172, 181; ◈ S135, p. 535; ◆ S058, 1910, pt 2, col. 525; ◈ S001, Nos. 71, 74, 100, 102; ◈ S162, vol. “K”]
More in the chapter “The Caucasian Line” →
How was this history researched?
The chronicle rests on three layers: the family roster Kalaushiny, which Aleksandr Borisovich Kalaushin compiled over more than forty years (Philippov website, version 03.02 of 13 July 2025); documents of each period — revision tales, orders, newspapers, award lists; and the work of historians. In 2026 the roster was checked against the documents; the chronicle now draws on 215 sources, 398 catalogued images, 284 people and 140 events. Every reference is marked by class: ◆ documented, ◈ published source, ◇ family testimony, △ hypothesis. [◈ S001, dedication, introduction]
More in the chapter “Sources and Further Research” →